Ethan Iverson | Technically Acceptable Review
Ethan Iverson | Technically Acceptable Review by Darnell Jackson Ethan Iverson’s latest Blue Note offering, Technically Acceptable, brings his consummate skill and imaginative vision to a…
Ethan Iverson | Technically Acceptable Review by Darnell Jackson Ethan Iverson’s latest Blue Note offering, Technically Acceptable, brings his consummate skill and imaginative vision to a…
Eric McGarry | As I Am, As You Were Review by Darnell Jackson In the heart of Eric McGarry’s debut album, As I Am, As You…
Joey Alexander | Continuance Review by Darnell Jackson Joey Alexander’s Continuance resonates with the intricate rhythms and evocative storytelling of contemporary jazz. Anchored by the core trio…
Nic Vardanega | New Beginning Review by Griff Stevens Nic Vardanega’s latest album, New Beginning, is the third leader date for this jazz guitarist and…
Metropolitan Jazz Octet | The Bowie Project Review Metropolitan Jazz Octet Reimagines Bowie in The Bowie Project by Darnell Jackson In a daring blend of jazz…
Wolfgang Muthspiel | Dance of the Elders Review Complexity and Coherence: Wolfgang Muthspiel’s Dance of the Elders by Illiam Sebitz In a musical landscape often…
Mr. Chair | Better Days Review The Auditory Odyssey of Better Days: Mr. Chair’s Fusion Journey by Illiam Sebitz In the fusion music sphere, genres…
Jalen Baker | Be Still Review The Rhythms of Academia – Jalen Baker’s Be Still by Darnell Jackson With Be Still, Jalen Baker plays the…
Christopher McBride | Ramon Review A Resonant Album of Musical Storytelling by Darnell Jackson Harlem-based saxophonist, educator, and arranger Christopher McBride has long been a…
Douyé | The Golden Sèkèrè Review The Golden Sèkèrè: Douyé’s Sublime Ode to Jazz Standards Through a Nigerian Lens by Illiam Sebitz “Repetition sometimes takes…