Wendy Eisenberg : Wendy Eisenberg Review
Wendy Eisenberg : Wendy Eisenberg Review by Bea Willis Wendy Eisenberg’s self-titled LP marks a decisive shift in approach, but not in identity. Rather than…
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Warren Haynes | Million Voices Whisper Review
Warren Haynes | Million Voices Whisper Review by Griff Stevens Warren Haynes, a name synonymous with rock and southern rock, continues to etch his mark…
Lamb of God | Into Oblivion Review
Lamb of God | Into Oblivion Review by Griff Stevens Lamb of God’s Into Oblivion does not build its momentum with reinvention. It moves as…
Killswitch Engage | This Consequence Review
Killswitch Engage | This Consequence Review By Griff Stevens When discussing genre-defining vocalists in modern metalcore, Jesse Leach’s name belongs high on the list, not…
UFO: The Salentino Cuts
by Griff Stevens With a heritage that dates back to 1969, British rockers UFO are back with their 23rd studio release titled, The Salentino Cuts….
Aerosmith, YUNGBLUD | One More Time Review
Aerosmith, YUNGBLUD | One More Time Review by Griff Stevens When a legacy band reenters the studio after more than a decade, listeners inevitably listen…
Michael Gettel | The View from Here Review
Michael Gettel | The View from Here Review by Bea Willis Michael Gettel is a new-age music composer and pianist who has created, taught and…
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Great Good Fine OK | Real Review
Hannah Rooth | Dust Review
Hannah Rooth | Dust Review By Darnell Jackson Hannah Rooth is a songstress in Los Angeles, creating music and community for misfits. She is joined…
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