Megan Moroney | Cloud 9 Review
Megan Moroney | Cloud 9 Review By Bea Willis Megan Moroney’s Cloud 9 is built on compression of songwriting. Across fifteen tracks, most landing at…
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Steve Morse Band | Triangulation Review
Steve Morse Band | Triangulation Review by Griff Stevens Triangulation plays as a living map of Steve Morse’s musical instincts, where southern rock grit, fusion…
Incite | Savage New Times Review
Incite | Savage New Times Review By Griff Stevens Savage New Times is Incite’s project that focuses less on reinvention and more on refinement. The…
Killswitch Engage | This Consequence Review
Killswitch Engage | This Consequence Review By Griff Stevens When discussing genre-defining vocalists in modern metalcore, Jesse Leach’s name belongs high on the list, not…
Roy Orbison & The Royal Philharmonic Orchestra: A Love So Beautiful
by Griff Stevens One of the most respected and revered voices of our time, Roy Orbison had one of the most impressionable and lasting qualities…
Lauren Sanderson | Queen Bee Review
Lauren Sanderson | Queen Bee Review By Elberton Cisnero Lauren Sanderson is an LA-via-Indiana singer/songwriter that released her debut album in 2020, Midwest Kids Can…
Throttle – Japan Review
Throttle – Japan Review By Griff Stevens Australian producer Throttle is an Australian DJ and producer that has developed a sound that has made him…
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Jack Mallett & Elijy – Can’t Stop Now Review
Hannah Rooth | Dust Review
Hannah Rooth | Dust Review By Darnell Jackson Hannah Rooth is a songstress in Los Angeles, creating music and community for misfits. She is joined…
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