Aaron Lewis | The Hill Review
Aaron Lewis | The Hill Review by Bea Willis With today’s country music, where the clamor for authenticity often drowns beneath layers of production, Aaron Lewis’s The…
Country
Mighty Poplar, Mighty Poplar Review
Mighty Poplar, Mighty Poplar Review by Griff Stevens In the sprawling sonic garden of bluegrass music, the appearance of Mighty Poplar is akin to the…
Megan Moroney, No Caller ID Review
Megan Moroney, No Caller ID Review by Bea Willis Megan Moroney’s single “No Caller ID” marks a poignant continuation of the narrative arc begun in…
Cody Johnson | Leather Review
Cody Johnson | Leather Review Leather: Cody Johnson’s Heartfelt Country Tales by Bea Willis As the autumn leaves began their graceful descent, marking the arrival…
Morgan Wade | Psychopath Review
Morgan Wade | Psychopath Review The Abyss of the Heart: A Review of Morgan Wade’s Psychopath by Bea Willis Morgan Wade’s newest offering, Psychopath, is stepped…
Dallas Burrow, Blood Brothers Review
Dallas Burrow, Blood Brothers Review Dallas Burrow: Americana Encapsulated in Blood Brothers by Elberton Cisnero Ever felt the pull of the cosmos while playing a…
Colter Wall | Little Songs Review
Colter Wall | Little Songs Review Sagebrush Serenades: Unpacking the Paradox of Colter Wall’s Little Songs by Tom Faddis Colter Wall’s Little Songs seems, at first listen,…
Corey Kent | Blacktop Review
Corey Kent | Blacktop Review by Griff Stevens Let’s take a ride down Corey Kent’s Blacktop, an audacious album that plants a boot firmly on the…
Bill Evans | Things Are Simple Review
Bill Evans | Things Are Simple Review by Griff Stevens Bill Evans is an internationally recognized five-string banjo life force. As a performer, teacher, writer,…
Lainey Wilson | Bell Bottom Country Review
Lainey Wilson | Bell Bottom Country Review by Bea Willis Lainey Wilson is pulling in sounds of the 70s with her latest album called Bell…