Medler Sextet | River Paths Review
Medler Sextet | River Paths Review By Darnell Jackson River Paths is less a geographic river and more a psychic cartography, a charting of emotional…
Medler Sextet | River Paths Review By Darnell Jackson River Paths is less a geographic river and more a psychic cartography, a charting of emotional…
Juan Perea | Lightkeeper Review by Illiam Sebitz Juan Perea’s debut recording, Lightkeeper, is an exploration of jazz’s multifaceted feels and styles. At 68, Perea,…
Stan Harrison | Some Poor Soul Has a Fire Review by Illiam Sebitz Stan Harrison is a saxophonist and composer weaving together decades of experience…
Alexi Tuomarila |Departing the Wasteland Review by Darnell Jackson In Departing the Wasteland, Alexi Tuomarila invites us to experience a well-crafted sonic landscape of acoustic…
Omer Leshem | Play Space Review by Illiam Sebitz Play Space is a musical exploration of modern jazz possibilities. In this album, Omer Leshem deftly…
Scott Colley, Edward Simon, and Brian Blade | Three Visitors Review by Darnell Jackson In the many releases in the modern jazz genre, the occasions…
Darden Purcell | Love’s Got Me in a Lazy Mood Review By Illiam Sebitz Darden Purcell’s third studio release, Love’s Got Me in a Lazy…
Scott Hamilton | Looking Back Review by Illiam Sebitz Today, there is a short list of saxophonists who genuinely embody the timeless allure of swing…
Robert Glasper | In December Review by Darnell Jackson Robert Glasper’s release, In December, is a contemporary R&B that meets a little jazz, twisting what…
Clement/Kovalcheck/Hamar Trio Review by Illiam Sebitz Emerging from the dynamic intersection of the Pacific Northwest’s majestic landscapes and Tennessee’s deep-rooted musical heritage, the Clement/Kovalcheck/Hamar Trio…