Julia Cole | Day Late & A Buck Short Review
Julia Cole | Day Late & A Buck Short Review Day Late & A Buck Short – A True Contemporary Country Experience By Bea Willis…
Country
Carter Faith | The Aftermath Review
Carter Faith | The Aftermath Review by Bea Willis Carter Faith’s new EP, The Aftermath, is a five-song collection that perfectly captures her distinctive blend…
George Strait | Cowboys and Dreamers Review
George Strait | Cowboys and Dreamers Review by Tom Faddis There are few voices in country music as recognizable and revered as George Strait’s, and…
Morgan Wade | Obsessed Review
Morgan Wade | Obsessed Review by Bea Willis Morgan Wade’s third studio album, Obsessed, reflects her evolution as an artist and as a person from…
Niki Small | The Chase Review
Niki Small | The Chase Review by Bea Willis Niki Small’s debut album, The Chase, released under Woodward Avenue Records, marks a significant milestone in…
Jim Lauderdale | My Favorite Place Review
Jim Lauderdale | My Favorite Place Review By Tom Faddis Jim Lauderdale has released his 37th album, My Favorite Place. With over four decades of…
Alyssa Bonagura | Love Wins Review
Alyssa Bonagura | Love Wins Review by Bea Willis Alyssa Bonagura’s latest EP, Love Wins, released on May 3, 2024, under Extreme Music Library LTD, is…
Aaron Lewis | The Hill Review
Aaron Lewis | The Hill Review by Bea Willis With today’s country music, where the clamor for authenticity often drowns beneath layers of production, Aaron Lewis’s The…
Mighty Poplar, Mighty Poplar Review
Mighty Poplar, Mighty Poplar Review by Griff Stevens In the sprawling sonic garden of bluegrass music, the appearance of Mighty Poplar is akin to the…
Megan Moroney, No Caller ID Review
Megan Moroney, No Caller ID Review by Bea Willis Megan Moroney’s single “No Caller ID” marks a poignant continuation of the narrative arc begun in…