Scott Hamilton | Looking Back Review

by Illiam Sebitz

Today, there is a short list of saxophonists who genuinely embody the timeless allure of swing and classic jazz, and Scott Hamilton is undoubtedly on the list. With his latest album, Looking Back, Hamilton pays homage to the golden eras of jazz, showing why he is one of the foremost interpreters of the genre’s rich history. This album, recorded with a stellar ensemble, invites listeners on a journey through jazz’s storied past, anchored by Hamilton’s velvety saxophone tone and consummate improvisational fluidity.

The repertoire on Looking Back reflects Hamilton’s encyclopedic knowledge of jazz history. Each track connects to the legacy of swing giants such as Ben Webster, Lester Young, and Coleman Hawkins. Hamilton imbues these selections with a deep respect for their origins while subtly infusing his unique voice, whether it’s a tender ballad or an effervescent swing number.

Take, for instance, his rendition of “I’ve Grown Accustomed to Her Face,” Hamilton approaches it with a gentle reverence, his phrasing evoking a wistful lyrical swing jazz vibe, while his subtle harmonic embellishments add fresh nuance. Similarly, “Beyond the Bluebird” recalls the light-footed elegance of Lester Young, with Hamilton’s saxophone gliding effortlessly over the rhythm section.

Central to Hamilton’s appeal is his saxophone tone—a rich, rounded sound that captures the warmth and intimacy of the swing era. On this album, his timbre is especially striking, evoking the breathy subtleties of Webster while maintaining a clarity that feels distinctly modern. His control over dynamics and vibrato is impeccable, drawing listeners into the heart of each phrase.

On “Rockin’ Chair,” Hamilton’s tone is the tonal anchor, conveying longing and introspection with every lyrical note. His use of breath control and phrasing is masterful, allowing him to shape the melody with an almost conversational quality. This tonal excellence pays homage to the saxophone greats and reaffirms Hamilton’s place as their modern counterpart.

Hamilton’s improvisations on Looking Back are constructions of elegance and narrative coherence. His solos flow seamlessly, each phrase building on the last with a logic and grace that reflect his deep understanding of the jazz idiom. His ability to balance spontaneity with a profound respect for the original composition’s theme is a wonderful part of his style.

On the album’s up-tempo tracks, such as “Tune Up,” Hamilton showcases his be-bop dexterity and rhythmic fluidity. His lines weave through the changes with an effortless swing styling, punctuated by subtle be-bop inflections and rhythmic syncopations that keep the listener engaged. In contrast, his ballad playing, as heard on “Shadowland,” reveals a tender vulnerability, with each note carefully chosen to enhance the song’s emotional impact.

“On a Clear Day” is a particular gem, with Hamilton’s lyrical Latin jazz playing perfectly complemented by the swaying accompaniment of the rhythm section. His solo unfolds in a relaxed swing style brimming with classic jazz romanticism and charm.

Another standout is “Big Tate,” where Hamilton’s improvisational power takes center stage. His solo navigates the tune’s blues harmonic structure with a soulful blending of technical precision and heartfelt blues expressions. The interplay between Hamilton and Lundgren is especially noteworthy, as their musical dialogue adds an extra layer of forward motion to the track.

Hamilton’s collaborators on Looking Back deserve special recognition for their contributions to the album’s success. Pianist Jan Lundgren, bassist Hans Backenroth, and drummer Kristian Leth form a rhythm section of consummate professionals, providing a steady yet flexible foundation that allows Hamilton the freedom to explore the full range of his expressive capabilities. Lundgren’s comping is tastefully understated, while Backenroth and Leth lock into a groove that enhances the album’s swing and lyrical qualities.

Looking Back is Scott Hamilton reminds us of the timeless beauty of swing and the enduring relevance of its masters. This album not only honors jazz history but also offers an enriching and deeply satisfying listening experience.

Artist: Scott Hamilton
Album: Looking Back
Label: Stunt Records

Release Date: November, 15 2024

About the author

Illiam Sebitz

Born and raised in a picturesque European village, my fondness for music began during my formative years, when the charismatic tones of the recorder first filled the halls of my primary school. This early fascination escalated into my lifelong pursuit of embracing the melodious charm of the flute; I have even spent time refining my skills at a music conservatoire. As a seasoned music connoisseur, I find myself captivated by the multifaceted world of music. I enjoy writing music reviews to better enable me to explore genres as diverse as world, rock, jazz, classical, folk, and film music, each offering a unique auditory journey that enriches my life and intellect.

In my spare moments, you'll likely find me meticulously crafting my latest woodworking project, sharpening my skills with flute etudes, or inventing tales of fantasy through the art of creative writing. My eclectic interests and expertise harmonize to create a symphony of passion and curiosity that resonates within every aspect of my life as a music enthusiast.